Allegory

Most fables have two levels of meaning. On the surface, the fable is about animals. But on a second level, the animals stand for types of people or ideas. The way the animals interact and the way the plot unfolds says something about the nature of people or the value of ideas. Any type of fiction that has multiple levels of meaning in this way is called an allegory.

Animal Farm is strongly allegorical, but it presents a very nice balance between levels of meaning. On the first level, the story about the animals is very moving. You can be upset when Boxer is taken away by the horse slaughterer without being too aware of what he stands for. But at the same time, each of the animals does serve as a symbol. The story's second level involves the careful critique Orwell constructed to comment on Soviet Russia.

Yet there is no reason that allegory must be limited to two levels. It is possible to argue that Animal Farm also has a third and more general level of meaning. For instance, the pigs need not only represent specific tyrannical soviet leaders. They could also be symbols for tyranny more broadly: their qualities are therefore not simply the historical characteristics of a set of actual men but are the qualities of all leaders who rely on repression and manipulation.

TNT's ANIMAL FARM uses the power of allegory to stretch Orwell's story in new directions. The production does not merely emphasize the historical allegory but also calls attention to other allegorical possibilities. On one level, the production is about the ways that power sustains itself, including techniques like television that Orwell's novel did not include. Orwell's allegory is therefore adapted to the media age.

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